So why am I recommending this considering the lack of bass amps? They are one of the most authentic that I have heard from any bass amp software. Bass Amp Room does an incredible job of simulating the tonal and sonic qualities of a bass tone down to the tee. Although added features are scarce, I will admit, the bass amp sims are one of the most authentic tonally.
The tone-shaping abilities offer a good level of customization allowing you to modify the core building blocks of a tone. Everything from…. A good way to utilize this program is to use it in your DAW to create an authentic raw sounding bass tone. GTR-3 by Waves for the price, includes a great number of bass amps and stompboxes rolled into a simple and compact interface for easy tone customization.
This software is well equipped for bass players with the inclusion of 7 bass amps. The GTR-3 replicates bass tones with impressive accuracy adding a level of realism to any bass signal with any DAW and audio interface.
The pedalboard allows 6 designated spaces for stompboxes with a selection of 26 effects which can be modified to add a surprising level of tone sculpting. It also runs a standalone version for running on the desktop without having to load it up as a plugin in a DAW. I must admit, GTR-3 is not as heavily loaded with features as the other amp sims, excluding some features such as microphone customization, room ambiance, built-in recording, etc.
However, for the price, you do get a lot of great-sounding amps and effects which in the grand scheme is great value for money. This program may not be for the tone twiddling freaks out there like other amp sims.
However, this program does not make too much of a deal and is designed and marketed to be simple and straight to the point.
GTR-3 is a good option for any bass players who are maybe new to the amp sim world. Possibly looking for an easy-to-use guitar modeling software who are not looking to spend a fortune the first time around. GK stands for Gaillain and Kruker. For all of you who are unaware, GK is a high-end bass amp and cabinet manufacturer based in the US. GK Amplification 2 Pro is an affordable and versatile bass amp sim offering 3 popular emulated versions from their line of bass heads for adding to your mixes or jamming on the side.
The heads available are the popular CK bass head models. This sim also offers a large selection of cabinets to match your ideal bass head. A good feature is combining 2 speaker cabs for a mash and blend of cabinet sounds allowing a good level of tonal customization.
GK Amplification Pro 2 program includes a metronome and track recorder which is useful for recording moments of inspiration and creative ideas in the standalone version. This program is available for use as a plug-in within a DAW. Overall this program is an affordable, easy to use, and great-sounding amp sim for dialing in solid bass tones for recording or jamming.
There are no effects in the form of stompboxes which can leave users feeling a little empty-handed for experimenting with sounds. I would say this software is more geared towards recording in a DAW for adding addition plug-ins for effects, therefore, adding more tone-shaping capabilities.
Download Here. Every component in the real amp including the circuitry and tube technology was considered to create the most accurate and well-represented simulated version of the SHB-1 bass head as a functional plugin.
For me, this is where the plugin sounded at its best as it is voiced to sound aggressive and metal. About this video In this Zane from Simple Green Tech looks at 14 of the best free guitar amp simulator software plugins available in early These free guitar amp vst plugins range from simple one amp designs to incredible multi-amp simulators. Most of the guitar amp sims include some form of IR impulse response some of them include multiple cabinets to choose from and mics.
For both, there's the option of a floorboard. They're a core part of the live rig of bands like Biffy Clyro, and Tesseract switched from Axe-FX to Kemper for their most recent album Sonder, using a patch based on a custom-captured Diezel head.
Read the full Kemper Profiler review. With a quad-core DSP and luxurious 7-inch touchscreen, the HeadRush certainly goes all-out on hardware. In terms of the fidelity and feel of the amps, it's more 'open' and 'full' than most of the Helix models, and the way models respond to playing dynamics seems more subtle and more rich than other top-flight units.
So what's the catch? Well, on paper the 7-inch touchscreen should be a great user experience, but in practice, it's often harder to use than a joystick or arrow buttons, resulting in a great-sounding, but often frustrating floorboard. Given that it is capable of profiling an innumerable amount of vintage amplifiers and making them digitally available, and it costs less than buying a Profiler Head and Remote, the Kemper Profiler Stage could be marketed as the best value amp on the market.
Or alternatively as the ultimate tool for the touring musician. But that is part of the Kemper experience. The Profiler Stage weighs just 10lb and yet it can hold all the rigs you could ever need. Read the full Kemper Profiler Stage review. The Helix LT is probably more than enough for most players, but if you want to send CV or control a whopping three expression pedals, then the full-fat Helix could be the best amp modeler for you. For the extra cash you get some additional affordances like scribble strips and additional inputs, though the DSP and software is the same.
Crucially, the user interface is the best on the market right now, and that's why you'd buy the Helix over the Kemper or Axe-FX. Alternatively, you can opt for the rack version if you have a studio or want the ability to neatly flight-case the unit, though you'll need to separately purchase the Helix Floor Controller if you want a floorboard to control it.
The amp simulations are second-to-none, thanks to the Augmented Impulse Response Dynamics AIRD tech, which gives the impression of even more 'air' and harmonic richness than even the Headrush. However, the user interface has not changed with the times, reminding us more of our old rack gear that, while powerful, required power-user level knowledge to edit and operate.
The GT sounds fantastic, but many of its competitors on this best amp modeler list leave it in the dust in terms of usability. Read the full Boss GT review. The BIAS Head ships with 25 built-in patches, and a pleasantly familiar amp-like interface on the front panel. The real power comes from hooking it up to a computer or device running the BIAS software, as you can tweak and load new patches directly.
If you're looking for an interface to flight-case or put into a studio setting, there's also a rack version, though without effects like its competitors, at that point you might want to explore more all-rounder solutions.
It might not have the sampling rate or bit depth of the trailblazing GT, but for a fraction of the price the GT certainly isn't bad. Yes, there are many better options on the market all of which are on this list , but like anything else, ten years ago this amp sim would have blown away the best studio gear available. With a host of amp models that cover the main bases, from bluesy to high-gain metal, the GT is a workhorse that will get you to your band's first demo tape and beyond, even if it's unlikely to be a tool you hang on to forever.
When it comes to guitar amp modelers, they come in two main flavors — rack and floorboard. The big sluggers are the Axe-Fx and Kemper, both of which are primarily rack units.
The Kemper does have a head version, as well as a new floorboard edition, for guitarists that prefer the look and feel of those formats. Overall, I love the Tone Cloud feature. It makes it SO much easier to get an excellent sounding tone without having to dial it in yourself. In short, Bias FX 2 sounds excellent. One problem that the older version of Bias FX had was that the high gain metal tones were notoriously known for sounding fake. Not fake as in bad, but fake as in it fails to capture some of characteristics of a real tube amp.
Bias FX 2 is a huge step up. For me, I stopped using real amplifiers years ago in place of amp simulators. Here are some sound samples of some different presets in Bias FX 2 so you can judge for yourself. Here are some of the things that I liked and disliked about the plugin from my personal experience.
The main thing that I love about Bias FX 2 is the convenience. I can simply download user generated tones and make slight tweaks until I get what I want. And for that price, you get hundreds of options including different amps, caps, effects pedals and more.
While Bias FX 2 is good overall, I did have a few gripes with it. My only other main gripe with it is the pricing model. I completely understand having 3 different pricing models for more budget conscious people. However, I think the standard and professional version lack a lot of key amps. I originally started with the standard package thinking 30 different amps would be enough. I actually needed to upgrade all the way to the Elite tier until I could get all the tones I was satisfied with.
You can easily recreate your real life guitar rig right in this single piece of software, or experience with different sounds that you were never able to create before. While real guitar rigs have their place, I personally find that the convenience when it comes to recording and changing tones is well worth the trade off.
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